In January 2023, Doja Cat sported an all-red, jewelry-encrusted Schiaparelli look during Paris Fashion Week that some of her fans hastily labeled "demonic" in April she got a tattoo of a mythological monster, further evidence to some of her conspiratorial fans that she'd Robert Johnson-ed her soul to the devil. Fans and haters alike have armchair diagnosed Doja Cat as having mental health issues and an eating disorder they've diminished her rap skills, branding her as a sellout on account of her mainstream pop success and they've called her everything from an Illuminati member to a devil worshiper. In August 2022, Doja Cat shaved her head and eyebrows, claiming she never liked having hair she called it an act of ripping "off her shell." Doja Cat's baldness unleashed the ire of Internet "reply guys" and misogynists of all genders who didn't hesitate to share their unsolicited disdain with her look. In March 2022, after a canceled Paraguay concert, she publicly claimed she was quitting music after fans complained. Luke co-penned nu-disco bop, "Say So," became her biggest hit.īut for a pop star who seemed to nearly live online, and who sees every opportunity to be in the public eye as an opportunity to make a viral splash, she also seemed decidedly uncomfortable with the more intrusive aspects of fame. 2019's Hot Pink transformed Doja Cat into an overground sensation, a brash shapeshifter serving up hip-hop, pop, R&B in equal measures - the Dr. Highly media savvy, Doja Cat put forth a persona, at her career outset, that was exactly what you'd expect from a musician who first connected with fans as an Internet meme: equal parts silly, irreverent and bratty. Doja Cat first rocketed to viral success with "Mooo!" an absurdist 2018 Soundcloud trifle in which she rapped from the perspective of a cow. MC, singer-songwriter and edgelord Doja Cat recognizes the devil, and she's fiendishly rapping about it on her fourth studio album Scarlet, her most artistically adventurous to date. "He who has been treated as the devil," Baldwin cuts to the chase, "recognizes the devil when they meet." Evil has more to do with what the film cannot, and will not say, about racial terror in a country that values the immateriality of stocks and bonds over the materiality of human life. Baldwin's point: any conscientious person will know that real evil has nothing to do with the film's levitating beds and pea soup vomit special effects. I'm fond of the section when Baldwin skewers William Friedkin's 1972 horror classic The Exorcist, thumbing his nose up at the film's banal, phony take on demonic possession. Do yourself a favor and Amazon One Click yourself a copy of The Devil Finds Work, James Baldwin's trenchant 1976 book length essay of film criticism.
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